lyrics
CLOSE Lyrics
by Will Richards
I’ll be up until about tomorrow some time
Hoping you’ll call in a favor or two
And I would arrive and pile on the lighter side
Make you smile your flossed smile wide
You’d say hey and I’d be coy and make you
Kiss me again and again and again, It’s true, I would
It could be so simple you know
Just give me a chance and I’ll smile, pretty
And we’ll be close to what’s most important to me
Yes, we’re close to what’s most important
And you can smile at your moon
It’s beautiful over and over and over again
And so are you, and so are you, you said to me
We missed the sunset, the sky, the smell and our ride
And we’re missing each other when you’re on your inside
I’m on your out, you’ve got your pride
And I’m all torn up for all the wrong lines
And we’re close to what’s most important to me
Yes, we’re close to what’s most important
The strings of your voice have been silent too long
Don’t tell me I’m wrong ‘cause I’m right you’re strong
But you’re so fragile, so subtle, so you, so I hope
You can do what you need to do
Your ride alone time and all
I’ll be up until about tomorrow some time
And I wouldn’t mind if you decided to call
And we’ll be close to what’s most important to me
Yes, we’re close to what’s most important
credits
from
Timing and Lighting,
released June 1, 2011
Summer-- vocals, keyboard, acoustic and electric guitars Henry Strange-- drums on “Timing And Lighting,” bass on “Pink Elephants” Jess Stroup-- electric guitar and organ on “Not A Love Song,” nasty electric guitar on “Keep, ” electric bass on “Have To Leave” and “Keep,” synths on “Have To Leave” and “Blood,” Wurlitzer, Ebow Steve Goldun-- upright bass on “Timing And Lighting” Brud Giles-- drums on “Keep” Laura Escude-- violin on “Truth” Joel Long-- electric bass on “Not A Love Song” All tracks produced by Henry Strange, except “Messed Up” produced by Jess Stroup. Executive producer, Bill Bauman. All songs written by Summer, except lyrics to “Close,” by Will Richards. Published by LossLess Publishing. Recorded in private studios, bedrooms, and closets in Philadelphia, Los Angeles, and Portland, OR, except vocals on “Pink Elephants” and drums on “Keep” tracked at Fremont Studios, Portland, OR. Mixed by Henry Strange. Mastered by Will Quinnell at Sterling Sound, NYC. Engineered by Nathanial Tate, Zachary “Bugz” Welcher, Matthias Lange, Kevin Sauter, Keith Brush, Brud Giles, Bill Bauman, Henry Strange, and Summer. Edited by Summer.
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